> You can relabel all interval structures in the Catalog and add new ones as you need. (I can change the tunings on the fly, so in reality I have access to many more pitches for a single piece.) Thank you very much for taking the time to respond! Unfortunately this does not yet answer my question. PS: In palettes I am also already using the available colour markings, but there are only 2 different colours available, which is not enough for such purposes. In case of key changes (modulations), I would then like to preserve the chosen alternative chord names for the corresponding transposed scale steps if possible (in case of modulations, my whole tunings change on the fly in a MIDI controlled way). Is there perhaps a way to control which alternative chord names are used for certain chords in palettes and resulting progressions? EDIT: For the harmony parameter, I guess I can overwrite (type with text input) arbitrary alternative chord names, but ideally I would have alternative chord names in palettes, and progressions and the harmony parameter would "inherit" such names from there. Synfire catalogs allow for alternative chord names, and that could be a suitable workaround. different transpositions of the same MIDI note interval structure) can obviously result in rather differently sounding chords with a microtonal tuning. That all works in principle, but a single Synfire chord type/extension played over different roots (i.e. I am using customised palettes and catalogs. I am currently using Synfire for composing microtonal music (i.e., not 12 equal divisions of the octave).
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